

A knight comes back from the crusades, finds the plague waiting and challenges Death to a game to buy time.
Runtime
96 minutes
Director
Ingmar Bergman
Country
Sweden
Cinematography
Gunnar Fischer
Bergman took a one act play he had written for drama students and turned it into the most quoted religious argument in cinema. A knight returns from the crusades to a Sweden emptied by plague, meets Death on a beach and proposes chess, not to win but to delay long enough to do one meaningful thing. Around that runs a travelling company of players, a blacksmith, a mute girl, a self flagellating procession and a witch burning, and the film moves between them without settling into allegory. What keeps it alive is that Bergman gives the atheist, the believer and the indifferent equal weight and refuses to referee. The images, photographed by Gunnar Fischer in hard Nordic light, are so strong that they have become shorthand for cinema itself.
Dread
/
Act
"I want knowledge, not faith, not suppositions, but knowledge.
"Antonius Block · The Seventh Seal · 1957
What to watch for
Death played straight, patient and almost courteous, never as a monster
The players' family as the film's only characters granted a future
The church painter explaining why he paints what sells
Wild strawberries and milk as the film's argument against its own metaphysics
The final dance shot, which Bergman filmed quickly with stand ins when the light broke
Bengt Ekerot's Death wears no makeup beyond white face and a black cowl, and Bergman instructed him to play it as a considerate professional rather than a threat.
The dance of death that closes the film was improvised in minutes when a cloud arrived: most of the actors had gone home and the figures on the ridge are largely crew.