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The 400 Blows: A Critic's First Film About His Own

The 400 Blows: A Critic's First Film About His Own

The 400 Blows (1959)

Truffaut had spent years attacking French cinema in print. Then he made this and won Best Director at Cannes.

Autobiography Without Self Pity

Antoine Doinel is twelve, lives in a cramped Paris flat with a mother who resents him and a stepfather who tolerates him, and commits a series of small offences that the adult world escalates into a career. Truffaut had lived most of it: the truancy, the stolen typewriter, the reform institution. What keeps the film from misery is that it refuses to plead. Antoine is not a symbol of neglect, he is a specific boy who lies badly, loves the cinema, likes Balzac too much and enjoys himself whenever the adults are not looking. Jean-Pierre Leaud was found through a newspaper advertisement and went on to play the same character in five films across twenty years, which makes this the beginning of the longest running character study in cinema.

Runtime

99 minutes

Director

François Truffaut

Country

France

Cinematography

Henri Decaë

journey·6 Sections

Watching The 400 Blows

Weight

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Section

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Paris From A Car
Roaming
"Credits over the streets around the Eiffel Tower, shot from a moving car, establishing a city the film will treat as a playground."
"

I tell lies. Sometimes I tell lies that they would believe and they don't believe me.

"

Antoine Doinel · The 400 Blows · 1959

The interview scene was shot with the psychologist's questions read off camera and no script for Leaud, and Truffaut cut it together from several takes, which is why the answers wander.

The closing freeze frame was a practical solution to not knowing how to end, and became one of the most copied endings in film, from Butch Cassidy to Les Miserables.

Truffaut had been the most aggressive critic in France, the man who wrote that the French cinema of quality was a lie, so a hostile industry was waiting for him to fail. Cannes gave him Best Director and the New Wave had its first commercial proof. Leaud played Doinel again in Antoine and Colette, Stolen Kisses, Bed and Board and Love on the Run, ageing in real time alongside the character.